Conspiracies

Lately my posts have focused on big concepts, like sensitivity and witnessing, which may just come across as a tad didactic. Oops. But I do think those things are important to talk about when discussing the creative process and what keeps us artists goin’. I would say I’ll focus in a bit today and writeContinue reading “Conspiracies”

Taking Sides

“We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.” Elie Wiesel Damn I love that quote. When I first came across it I thought I fully understood it, but over time, and after some tough, isolating experiences, I started seeing the full breadth of itsContinue reading “Taking Sides”

Sensitive

“Nice” is a mask. When we’re told to play nice, we’re told to play a character. Suppressing our feelings like that is never healthy. Artists are inherently sensitive, and if no one has reminded you of this lately, sensitivity is a great thing. We shouldn’t be made to feel ashamed of our intution. We areContinue reading “Sensitive”

Concentrated Cred

An ongoing reservation I have with the makeup of artistic communities is the concentration of credibility we place on a select few. In my current positions within both indie and professional theatre scenes I see a finite number of people wielding authority over funding decisions and other artists’ creative growth. Folks keep going to theContinue reading “Concentrated Cred”

Emotional Intelligence

Are we, as artists, likely to be more emotionally intelligent than our peers? I’m reading Marc Brackett’s book Permission to Feel, which argues for better systems to teach us how to identify, express, and regulate our emotions. People really suck at confronting and unpacking what they’re feeling, which leads to many problems. I think asContinue reading “Emotional Intelligence”