Fun is a Good Thing

We are unfortunately made to think that work has to be overly laborious and financially successful. Any job that seems fun is deemed frivolous. Theatre, for many, seems like a strange and unnecessary career path. Why wouldn’t you choose something that makes you more money? It’s almost unthinkable that someone might want a job becauseContinue reading “Fun is a Good Thing”

On What You Know

To add to yesterday’s post on being in the middle of the process: when I’m confused about what’s going on or can’t quite see the full picture, I try to focus on what I do know: This character wants to break up with his boyfriend but doesn’t know how. The next scene likely won’t happenContinue reading “On What You Know”

In the Middle

I often discover, part way through a creative process, that I have no idea what I’m doing. The only current example would be this play I’m re-writing. I can’t seem to focus on it all that well, but when I do end up writing a page or two of dialogue, I have absolutely no senseContinue reading “In the Middle”

From Where We Are

I’d like to be working in Paris or Berlin, surrounding myself with avant-garde artists, delving into deep discussions about theatre theory, building a career centred in the intersection of queerness and storytelling, engaging audiences in innovative ways and helping artists from around the world. But I am currently in New Brunswick, Canada. And I loveContinue reading “From Where We Are”

Shifting Gears

So… we may not be gathering in the same way for a while. Us theatre folks are kind of wondering when things might get back to what they were. I’m seeing a decent amount of worry and it’s understandable. Artists face a severe lack of funding and stability as it is… adding a pandemic onContinue reading “Shifting Gears”

The Art of Flailing

We don’t have to have something to say in order to create. While I’m a big proponent of theatre having meaning of some kind, I personally don’t sit down to write a play and think “I have this really important message to bestow upon the world!” I sit down to write and end up flailingContinue reading “The Art of Flailing”

Experience vs Story

I’m more interested in the experience an audience member has attending a play than I am in crafting the perfect story. Story is important in the writing process, sure, but the liveness of theatre calls for a game to be played: an encounter with strangers that unfolds like a mystery. Audiences are presented with dotsContinue reading “Experience vs Story”

Inevitable Dislike

I’m editing a play with the intention of mounting it again in the (hopefully not-too-distant) future. Every time I step away from it it takes me a long time to get back. When I lack focus like this I try to pinpoint the specific obstacles. For this one, as for many projects, I’m caught upContinue reading “Inevitable Dislike”